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Jean Rouch
Biography
From Wikipedia, the free encyclopedia Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.
Known For

Chronicle of a Summer
as Self

Cinématon
as N°1256

The Mad Masters
as Narrator

The Lovely Month of May
as Self (uncredited)

Sodankylä Forever
as Self

The Doll
as Officer (uncredited)

Nouvelle Vague : El cine sin dogmas
as Self
Cinéma! Cinéma! The French New Wave
as Self

Son of Gascogne
as Self

Pierre Fatumbi Verger: Messenger Between Two Worlds
as Self